Karla Herencia

Costa Rica, Peru, b.1985

Lives and works in Nosara

Karla Herencia explores environmental degradation through a transdisciplinary lens. Her practice is connected to the coastal landscapes of Puntarenas, where she regularly collects discarded plastic fragments, transforming these materials into intricate sculptures and mixed-media installations. By reworking industrial debris, Herencia provokes a reflection on the complex and often contradictory role of human invention in natural ecosystems.

Herencia is influenced by the geographical and social tensions of her surroundings. The shifting dynamics of oceanic and tectonic forces in the region are mirrored in her artistic interrogation of corporeality, territory, and environmental crisis. She offers a personal response to the fragility of the body and the planet, creating work that engages with the precarious balance between the natural and artificial worlds. Her practice also draws from her heritage, as the daughter of a Peruvian migrant mother, which informs her sensitivity to primitive materials and ritualistic aesthetics.

Her installations, often built from discarded or recycled elements, offer a unique fusion of the socio-political and the intuitive. This synthesis allows her to explore the emotional implications of environmental issues while grounding her work in a broader, more philosophical critique of human impact on nature.

Herencia’s growing reputation, exemplified by her recent participation in the Tijuana Triennial, situates her among contemporary Latin American artists tackling pressing global issues. She has a unique ability to transform local environmental concerns into a dialogue that resonates with a wider international audience.

Portrait of Costa Rican artist Karla Herencia sitting on a chair in front of her work, in her studio.

Karla Herencia in her studio, 2024 (Photography by Julio Sequeira)

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